Wednesday, September 30, 2009

Speaking Skills

Speaking well and with confidence and before an audience, especially for the purpose of preaching Krishna consciousness, is one of the most useful things anyone can learn in life. The ability to organize thoughts and communicate them clearly is important in many ways. Some notes are posted here:
  • Practice speaking with good posture, eye contact, speaking in order, with clarity, good enunciation and good expression.
  • Don’t speak while inhaling.
  • Avoid saying “um”, “er” and other language "fillers". Speak plainly.
  • Practice tongue twisters for emphasizing careful enunciation.
  • Move the mouth in an exaggerated way when practicing good enunciation. And make sure to enunciate the final sounds of each word.
  • Daily singing and reading aloud  develop the voice.
  • Practice speaking in front of a mirror, tape recording and video taping can all help one to improve in their presentation.
EXERCISES:
  • Show and tell- bring some meaningful object and tell about it.
  • Playing school is one idea for the younger set. The "teacher" gets to lecture on a subject. 
  • Take turns reading and speaking about Bhagavad gita verse.
  • Recite or read aloud a favorite group of verses or a poem using good expression, enunciation, etc. Practice first.
  • Tell stories from sastra, Aesop’s, Pancatantra, etc. Analyze the parts of the story carefully to fix it in your mind and then tell it in order with good expression.
  • Tape record a story.
  • Tell about an experience. For example, "My Encounter with a Mongoose"
  • Explain how to do something or how to make something. You may wish to take a simple topic and make it as elaborate and detailed as you want.
  • Describe orally a person, place, thing, event...
  • Health talk. Older students can prepare and give a short talk on various health topics for younger children. A quick method is to outline an article about an important topic (Parenting magazines are full of them) and present it, referring to keywords. Practice what will be said ahead of time.
  • Use visuals such as props, charts, slide show... to aid your presentation.
  • Share researched reports in various subject..
  • Give a speech using the essay form- introduce your topic, speak about your topic, then add a conclusion or summation of what you said.
  • Oral book reports. (May use Reading Rainbow videos for examples.) Tell about the most important part of the book.
  • Try impromptu. Give an unplanned, unrehearsed speech about a familiar topic.
  • Give a persuasive speech that argues, "Why one should chant Hare Krishna".
DEBATE
Engage in informal debate on topics brought up by Srila Prabhupada in sastra readings. One person may pose as a non believer and prompt further discussion. One example is an opening statement like, “I don’t believe in hell.” and the debate can go from there, using the evidence from the chapter studied.

APPEARANCE IS IMPORTANT
 It's good to also observe public speakers. This includes observing non verbal communication such as how one’s dress or posture affects others.

THE ART OF CONVERSATION
A most important skill is how to engage in meaningful, polite conversation with others.. A few rules for discussion and role playing could be what not to do- don’t monopolize a conversation; don’t interrupt another's speaking; don’t talk about yourself too much, avoid gossip, etc..

MAKE TIME TO TALK
Turn off the TV and other electronics and take time for talk with family and friends that is unhurried and unstructured- such as mealtimes, working together, family outings and bedtime.

MORE SUGGESTIONS
Use writing prompts for speaking practice topics (an upcoming link)
Also see Dramatic Play- homemade tapes, videos, skits, puppet shows all require good speaking skills (upcoming link).

More Study Skills

More study skills and good study habits:

GETTING ORGANIZED FOR STUDY
Set goals each school year (with teacher's help or input).
Make a schedule with a fixed time for study.
Find a quiet place with no distractions. Post visiting hours on the door for unexpected visitors.
Use an assignment book and set deadlines.
Break bigger assignments into chunks. Day 1, Day 2...
Write paper headings with your name and date on top.

LISTENING SKILLS
1. Stop what you are doing.
2. Sit or stand properly.
3. Face the speaker.
4. Don't interrupt.
5. Think about what is being heard, how it is relevant to your life.
6. Taking notes aids concentration and boosts memory.
7. Listening closely is respectful.

FOLLOWING DIRECTIONS
Written and oral directions- Students should be able to follow both.
Workbooks - One easy way is to include workbooks in the curriculum. These generally give many directions for students to follow.

BREAKING UP BUSY SENTENCES
For example, while reading the following verse:

"The sons of Sumati, who were very proud of their prowess and influence, following the order of their father, searched for the lost horse. While doing so, they dug into the earth very extensively.'

It may be studied by breaking it down into simpler sentences.
The sons of Sumati were very proud
They were proud of their prowess.
They were proud of their influence.
They were following the order of their father.
The order was to search for the lost horse.
While searching, they dug into the earth.
They dug into the earth very extensively.

This method forces one to slow down and really focus on what is being stated . It can be written or done mentally especially while reading difficult passages or to really relish what is being read. A knowledge of grammar (diagramming) is also fun and helpful for further employing this method, getting to the heart of each sentence- "The sons searched. They dug."- and then analyzing their parts telling details such as who, why, what, when and how.

TAKING NOTES- from oral and written materials
Note taking not only increases attention to what's being read or heard, but will make you an excellent speller because of writing words over and over and taking word pictures stored in the mind.
At first, just write. After a while you'll notice how a lot of material read or spoken is about basic ideas and points. A whole paragraph, for example, can be summarized to one word, phrase or sentence. You may wish to write that instead.
Listen for key words to take notes and to gain the main idea that is being spoken or written.
Use of shortened words and personal abbreviations saves time when taking notes, especially if you're the type that prefers to write more than just key words. For example, you could write "DS" instead of "devotional service". Write "KC" instead of "Krsna conscious". Write "LE" instead of "living entity". Write "w/time" instead of "with time". Write "esp." instead of "especially" and so on. Draw a heart rather than write the word "love".
Circle and or underline stuff you especially want to remember. Use arrows to point to link material together. Put question marks next to what you need to find out more about. Write your own thoughts next to what you are noting.

DRAWING
Drawing and coloring given illustrations or your own, helps to pay closer attention to what is being presented rather than just looking at it passively.

FINDING THE MAIN IDEA
Start small. Find the main idea in sentences, then paragraphs, then chapters, entire books or lectures and so on.
Early Readers contain easier material to begin with.
Read, for example, a paragraph and ask, "What is this paragraph mainly about?"
(see Outlining notes for more help)

LOOKING FOR DETAILS
When the main idea is found, the supporting details are easier to find.
Details are all the information given that develops a main idea or topic.
Often a main idea is implied and details help draw it out.

CLASSIFYING AND CATEGORIZING
How are birds and bugs related? (Wings...) Jewelry and a cave? (Mining) A dress and a xylophone? (Symphony)
Everything can be related to everything else somehow or other.
Classifying and categorizing information lays the groundwork for developing outlines and sticking to a main idea or topic.
Start teaching this simply and naturally. For example, when children help sort laundry or sort their toys.

LIST MAKING
There are lots of lists that can be made to further develop sorting, organizing and outlining ability. A few examples:
10 things you know about Krishna
10 kinds of prasadam
10 services you’d like to do
10 things ones sees at your local temple
Pujari Room Words
Ratha yatra words
Devaki's Dowry in Krishna Book
Cooking Words
The qualities of Maharaja Pariksit, Prthu Maharaja, Prahlada Maharaja...
What ten things would change if you were the new President of the World?

OUTLINING; ORGANIZING INFORMATION (usually begun around the fifth grade)
Start with verbally and then in writing, breaking down ordinary every day objects into parts and talk about parts and the whole they make up together. For example, a bed is the whole and the parts could be the frame, headboard, mattress, bedding. Next, these items can be broken further. The headboard has artistic engraving on it, the mattress is stuffed with wool, the bedding is broken into further parts such as blankets, sheets, pillows and pillow cases.
Move on to Places. Look at the whole of Hawaii on Google Earth, for example. Hawaii can be broken into parts like islands, cities, flora, fauna, people, activities, and beautiful places. Then each of these can be broken further such as listing the names of the islands, the major cities, the kinds of flora and fauna, etc.
Move on to Activities. For example, doing the Vaikalika Offering for the deities may be divided into four main phases of time: Preliminary Activities, Preparing the Offering, Doing Artik, and Cleaning Up. Preparing the Offering and so on is further divided as Making the fruit salad, making the beverage, and these can be broken down into even further details.
Move on to Stories. Main parts would be characters, setting, events, and other parts of a story..
Move on to Non fiction. Notice the title and the various sub headings. Write the title and the name of the first section to begin the outline. Then for the paragraphs in each section ask, “What is this paragraph mainly about?” or "What title would fit this paragraph if it stood all by itself?" If not sure, taking notes helps, then ask again. Then write down the answer. Organize important details beneath this.
Do this for each paragraph in a section.
Thus, when a selection consists of several paragraphs, several  main ideas may be written, one for each paragraph (or a set of paragraphs)
Sum these up at the end to find the main idea for an entire section.
As described above, start with simple material such as a fifth grade reader.
Progress to outlines with lessons or sections in Sastra, Geography, History, Science, and Health

Outlining has three major uses:
One is to analyze information, looking for the main idea and details or looking for the parts of a story (main character, setting, plot...) and other kinds of literary analysis.
For example, the prayer by Queen Kunti in SB Canto 1 was analyzed for content:
A. Kunti’s glorification of the Lord
B. Kunti’s remembrance of His protection
C. Kunti’s bewilderment
D. Reasons given for the Lord’s decent
E. Kunti’s anxiety
F. Kunti’s request

An outline is also useful as a study method called "imitation writing". Using just the outline, try to write out the prayer. Or put the outline away and then try to write it. Going further, the same outline could be used as a model to generate one's own original, personal prayer, spoken or written.

Another purpose of an outline is to organize information gathered together from studies and research or inspiration in order to create an original piece of writing or to prepare for a speech.

SUMMARIZING
Summarizing is like an addition problem. You sum up all the main points. This helps store information within the mind or to get to a main idea. It's a little like the opposite of outlining. Rather than breaking things down, you are adding them up, but in a condensed form

CHECKING WORK-
This is a very important habit to prepare for adult life. A good student spends a little extra time to look everything over for any mistakes or what needs clarifying before turning his work in for the teacher to check.

TAKING TESTS
Some are required by state, and test taking tips found online are helpful.

TAKING BREAKS
A break gives time to process, digest, and assimilate what is being taught....The subconscious will still be chewing on it while the brain gets a break. Things will make more sense when one gets back to work refreshed. Some of the best thoughts, ideas and answers come while one is away from their work.

Suggested Memory Work for Various Subjects

THE GOLDEN AGE OF MEMORY
Many people can remember names of their first grade teacher and kids they played with, but if they try to remember names of people they have known more recently it gets harder. From the time of adolescence, life gets busier and busier with age and there are constant distractions to deal with. So the most crucial time to do the most important memory work is during childhood.

There's the saying “What is remembered while young is like writing etched in stone; what is memorized in old age is like writing etched in ice.” So childhood is a special chance for children to memorize all that will help them later in life.

“Youth is a golden time for memory and learning the basics since life is less burdened. At that time memory is more important than understanding. Then it will be there to use, imbedded in memory, when needed later on in life.” - author unknown

“Immature minds are more suited to absorption than argument.” -Jessie Bauer

Especially give time for memorizing as much Bhagavad gita verses as possible. Fortunate are children who are given time and encouragement to memorize the whole Gita, at least the English.

SUGGESTED MEMORY WORK FOR ALL SUBJECTS
(this list is still under construction)

SASTRA STUDY-
slokas and sloka review
number nectar
(click here for more sastra memory suggestions)

SPECIALIZED VOCABULARY WORDS
for all subjects

LANGUAGE ARTS
Phonemes
Definitions (noun, pronoun, verb, etc)
Pronouns (personal pronouns, object pronouns, etc)
Prepositions
Grammar rules (comma rules, capitalization rules, etc)
Affixes (common prefixes and suffixes)
Spelling words
Helpful spelling rules
Very select poetry that instills good values for life

MATH
Counting songs
Calendar poem (Thirty days hath September...)
measurements, number words spellings,
Math facts, fact families
Mental Math tricks
Useful formulas d=rt

GEOGRAPHY
Major Geographical locations
Geographical Facts
U.S.States and capitals

HISTORY
Historical dates
Important eras,
influential people
major historical events and places

SCIENCE
main divisions of animals(mammal, reptile, amphibian, mollusk, etc)

MUSIC
Krsna conscious songs for children
Select Vaisnava prayers

ETC:
Child's full name
home address
social security number

and so on

MEMORY DEVICES
DRILL can be done in a variety of ways - flashcards, games, quizzes, spelling bees, writing, and activities

Write facts on 3x5 Cards - such as for new vocabulary words encountered

JUNK MAIL
Save and let children fill out junk mail forms for practicing their name, address, phone number, etc..

DIVIDE INTO CHUNKS
A longer piece to memorize can be divided into sections. One way is to divide wherever the subject divides naturally.
For example, in the poem “Mother to Son”, by Langston Hughes, first the mother describes the stair of life she’s been climbing, next her determination, next her advice to her son, finally her determination is repeated as a conclusion

FILL IN THE BLANK
Students fill in the blank (or pauses when recited orally) for poems, prayers and so on that are being memorized and recited.

COPYWORK
“To write is to remember”

“She ( a saintly woman) had learned the statutes of the Lord by writing them out--one word at a time.

“The principle of copying the scripture was not a new one, but that it was an Old Testament requirement for the king which the Lord God would choose to rule His people Israel.

“Each month (in sixth grade) we were required to memorize a lengthy passage of holy writ....the only way I could memorize the chapter..was to write it out...fifteen to twenty times.” ---Timothy Palla, Copywork Fit for a King

“When I was young, my mother took the time to create a Bible Memory Notebook... Divided into topical sections, the book made it easy to look up verses about obedience, love, patience, children, parents, and more. That little tool helped my siblings and me to memorize dozens of verses over the years our parents homeschooled us. For some reason, memorizing verses that center around a particular theme makes memory work easier (and more meaningful).” -Mrs. Chancey, Internet

"The paragraphic evaluation was what I did as an assignment in Bible college. My children and I actually copy texts (passages or even whole chapters) word for word. Both methods are highly effective, but my children would probably be overwhelmed trying to paraphrase a whole book of the Bible. They have paraphrased a proverb or a single verse, though. When they can reiterate something in their own words you know they understand the principle. Bear in mind that the object of this lesson is to get the Word of God into their mind and hearts. Writing the Scripture out--one word at a time--helps to ingrain the message a little deeper." ---Pastor Tim Palla, Internet

SINGING- For example the personal pronouns “I you he she it we they”, followed by the object pronouns- “me you him her it us them”, can be chanted military march style

ACRONYMS-
Use the first letter of a list to be remembered to create a key word to memorize.
For example, the great lakes spell HOMES -Lake Heron, Ontario, Michigan, Erie and Superior.
Roy G Biv is the name of colors of the rainbow in order - Red, Orange, Yellow, Green, Blue, Indigo, Violet


Reading Aloud Tips

(adapted, source unknown)
Start reading to a child early on, even while in the womb. Especially read about Krishna.
Try not to let a day go by without reading something. Even just ten minutes is better than nothing.
Establish regular read aloud times. Read aloud morning, noon, and night. Kids can take turns reading, too.

Read to them snippets of books on various subjects. This shows children they can get many types of information from books. Along with regular sastra readings aloud, include samples of other literature- poetry, mode of goodness literature, historical stories, useful books, nature study...to whet their interest.
BTG magazine has articles of various subjects including science, deity worship, and travel to holy places. And reading excerpts from the small books from Srila Prabhupada's teachings can impart and strenghten student understanding of our Vaisnava philosophy.

When you return to a story, review what has happened up to that point- setting character, plot. Ask what they think might happen next. (Storytellers often leave off at the last part of a longer story where there is an element of suspense.)

Read expressively. The more animated you are, the more the children will follow the story.

Don’t be afraid to veer from the text and improvise.

It's important to read slowly enough for the listeners to build mental pictures of what they are hearing.

When you get to any foreshadowing, ask what they think will happen next.

Briefly go over any new vocabulary words you happen upon, or ask the children what they think the meaning is according to the context.

Allow time for discussion and meaningful interruptions. Satisfy children’s curiosity. Take questions - at all times and at any time.

Establish eye contact whenever possible to gauge their attention

Younger, active children can be engaged with their hands, such as a coloring book, to help them listen.

Never stop reading aloud. Even when children have mastered reading on their own, they still benefit from more complex stories and the sound of your voice.

READING TO CHILDREN TEACHES THEM MORE THAN STORIES (author unknown)
Show kids that the words you are reading are the text on the page. This seems obvious, but kids can think you're making it up from the pictures. Let them know it's mostly the text that carries the meaning. Follow the words with your finger as you read.

Show them the cover and title page. Announce the name of the author and illustrator. This is to let them know that real people wrote this story. It might inspire them to make a book of their own. It will also help them find more books by the same writer.

Let them interrupt to ask questions, even if they're jumping ahead in the story. This shows they are involved in what you're reading.

Let the kids see any pictures. Ask them if they can tell what's happening in the picture.

Change part of a story that they might know by heart, and see if they notice. Or, in a new story, swap in a word that's wrong, and let them correct you.

If your story has rhymes, obvious pictures or recurring words or phrases, stop to let them guess the end of a line. Ned, Ted and Fred fell out of...


A Little History of Education


ONE ROOM SCHOOLS: A DAY AT SCHOOL
As the children were seated the teacher took attendance and then often began the day by reading to the students. In the nineteenth century the text read was almost always of a religious character, usually from the Bible. However, over time the morning reading evolved, first to "moral tales," and subsequently to significant works of fiction. For example, during the 1940's at the Frost School near Stanton teacher Veda Flinn began her school day by reading from Laura Ingalls Wilder's Little House on the Prarie. Mrs. Flinn paced her reading of the volume so that the book was always completed on the last day of school. In some schools a song or two might also be sung before the day's studies began.

Class would then begin. As the day progressed each class was called to the "recitation" bench. There the teacher worked exclusively with those children for a period, while the other students busied themselves studying or doing an assigned lesson. Normally there was a brief morning recess of about fifteen minutes, followed by more classes, and then an hour for lunch. The afternoon was spent much like the morning with classes and a short recess. At the hour of afternoon recess, the younger students, including the third graders, would be dismissed for the day. The last hours of the school day was spent by the teacher working with the more advanced fourth through eighth graders.

Students sometimes put the mixed age of their schoolmates to ingenious uses. One teacher recalls a student from the World War II era that she first believed had extraordinary reading skills. Each day she would write new words on the blackboard and each day, by the time "Doug's" opportunity to read came around, he had already learned the new vocabulary. Eventually she discovered that Doug was ingenious, but in a somewhat different way. Rather than industriously studying the board, each day he would quietly borrow the book from which the day's reading would be taken, look in the back where the new words were listed, and then ask one of the older students to help him with the day's new vocabulary.

"Unit" teaching was very popular technique well adopted to the one-room school. The teacher would select a topic, or unit, to study, such as pioneer days, trees, safety, or some other broad topic that each student could address at an appropriate level. Over time units evolved. For example in many one-room schools agriculture slowly gave way to science, physiology was replaced with health and hygiene. Students also would be united for various school events such as pageants or plays. Virtually every one-room school put on a Christmas pageant that was well attended by parents. The school was decorated with objects made by the children. The program often featured short poems or songs performed by the younger children and short plays enacted by the older students. The event would end with a holiday party in which gifts were often exchanged.

The fortunate teacher went home with her students, however many teachers also performed the janitorial duties in the school. Thus, after the day's classes had ended, the floor was swept, the room was straightened, the teacher brought in fuel for the next day's fire. At least once a week the teacher was expected to scrub the floor. The teacher's janitorial responsibilities were, however, often lightened by student helpers.

At the end of the year, teacher's would distribute "tokens" to their charges, along with their report cards and, for a lucky few, their diplomas. The tokens, usually small, inexpensively printed pieces of paper, were often among the most cherished possessions of students and a surprising number survive in the personal papers of those who attended one-room schools.
excerpt from http://clarke.cmich.edu/schoolhouse/schoolsday.htm

AND ANOTHER SCHOOL
The school day often began with a reading from the Bible, then prayers, demonstrations, readings, and recitations. In some schools, the students were to sit in respectful silence during opening exercises, their feet together on
the floor and their hands folded on their desks...

Lessons to be Learned
The older children spent much of their time doing math problems, learning how to keep a set of accounts, studying plane geometry, and doing recitations about
what they had read. Younger children learned to read and write and do simple arithmetic...
Children also studied geography and history...

Children used slates to draw pictures of things they saw around them. In addition, there was instruction in colors, the collecting of minerals and other things, daily
activity planning, and recitation. At recitation, children were to speak clearly and show the teacher how well they had learned their lessons. All students received instruction in moral habits...

Moral habits were taught in the classroom through the use of phrases that contained a moral, or in readings that provided moral lessons. Moral lessons dealt with knowing right from wrong and often included lessons on lying, cheating, stealing, honesty; respect for authority and elders; respect for the nation, the state, the community, the law; and love of the truth and of God...

Teachers rarely instructed the entire class together. Work was assigned to groups to be done at the desks. Each group would be called on to recite the work it was
supposed to have done at the desks. The front benches were the recitation benches, to which one group would be brought forward to do the reciting. While that group was
reciting, the other groups were expected to be working on their own assignments. Each recitation could last for 15 to 20 minutes, followed by a brief recess. Then more assignments were given, and another group was brought up to recite.

Recess
Following the morning session, students usually had up to two hours for lunch. Some students lived close enough to go home for lunch. Many students, however, brought their lunches to school...

At recess, children played seasonal games and sports. Few playgrounds were furnished with exercise and game equipment at this time. Children might have played hide-
and-seek, snap-the-whip, follow-the- leader, tag games, or London Bridge. Boys
carried jackknives, with which they carved and whittled any wood in sight...

Children also enjoyed playing word games like tongue twisters, reciting rhymes, or
telling stories.

Closing Exercises
At the end of the school day, closing exercises often consisted of a moral lesson, a
hymn, and a closing prayer. Students rarely took their books home. Teachers did not
often assign homework because most students had chores at home and because lighting would have been a problem in the evenings during this time period – especially during the winter. Following a full day at school, students often had to walk long distances to get home and then had to do their daily chores.
(taken from yorker.org)

RECOLLECTIONS OF ANOTHER SCHOOL
In front of the students' desks and facing the teacher's desk were two long, wood benches with wood backs. We called them recitation benches. For instance, the teacher would call, "Third grade reading class, rise, pass," and the children in that class marched, with their reading books, to the recitation benches where the teacher had the students read individually from their assigned lessons. The classes, being small, were composed of from one to six pupils. Generally only one recitation bench was utilized; however, sometimes the teacher would have another class come forward and sit on the second bench. We referred to this bench as the preparatory bench...

An average of twenty-five students were taught arithmetic, grammar, history, physiology (hygiene), penmanship, reading, spelling, geography, music and drawing. In addition children were graded in deportment, industry and, on the nine marking periods, days attended were noted along with days missed. Fern E. Bickford, Branch County Commissioner, listed six rules for students on the front of the Coldwater-Batavia Township Public School Report Cards:

1. Be clean in person, dress, habits, thoughts and speech.
2. Be dutiful, polite and respectful to parents, teachers and all whom you may meet.
3. Strive to build up a good character, and your reputation will take care of itself.
4. Be earnest in play in the time for play, and equally earnest in work in the time for work.
5. Cultivate promptness, energy and patient industry. They are worth more to you than money or influence in securing success in life.
6. Finally be courteous, obedient, thoughtful, earnest, attentive, studious and industrious if you would win the highest esteem of your teachers, schoolmates, parents and the general public.

In the grading system of A through E, A was 95 to 100 and E was below 60...

While a good deal of time was spent learning the four R's and celebrating holidays, good health habits were also stressed when I attended grade school...

I enjoyed attending the one-room school, just as I enjoyed living a simple and comfortable country life. I considered myself rich, even though I lacked modern comforts. Perhaps the best lesson I learned, during my childhood, was that money and possessions were not important as long as I had a happy heart and a contented mind.
(taken from grunerheritage.com)

AND ANOTHER
Eighteen desks, small tables, and chairs were there. There was never a Johnny Who Couldn't Read [sic] as an older child would always be available to help the younger ones. The schedule could be very difficult if the teacher couldn't rely on this help.
There were always opening exercises when a few songs would be sung. The teacher would read from Kipling, Tom Sawyer, or Rules of Baseball. Games such as "Teakettle" and other spelling games were popular. The so-called approved instruments were tonettes, the piano, and the radio. The forty-minute math period included competition in knowing the necessary basics. There was a course in Hygiene and then lunch. There was a good school time program on the radio.
History followed in the afternoon. The younger ones would be excused about 2:30. The older children continued with Geography, Science, and Penmanship. There was an afternoon recess. They had The Weekly Reader.
(taken from pioneersholesschool.com)

ANOTHER SCHOOL ALSO
Today, it would be unthinkable to assign 40 students, representing grades 1 through 8, to one teacher. In 1930 that was commonly done, quite often with great success.

As I look back now, I am convinced that the single feature of the one-room country school that influenced me the most was that recitation bench at the front of the room. In my early school years, I could always listen to the older students as they read new stories in reading class, often tales I had not heard before. They used new words that I didn't know or understand. Their history and geography classes opened my eyes to more new worlds. I was often fascinated by the poems my older schoolmates had memorized to recite in class. Time after time, those upper grade classes caught and held my attention. Again and again, they stretched my young imagination.
(taken from proudpapapoet.blogspot.com)

AND A DESCRIPTION OF A SCHOOL MARM:
A real opportunity for student success in this one-room situation was the physical fact that you sat within earshot of classes above and below yours. If you didn’t learn something the first time, you always had a discreet chance to listen in a second, third, or fourth time! Conversely, when your seatwork was done, you could always challenge yourself with the more advanced work going on before your eyes.
First thing every morning, after reciting the Pledge of Allegiance, we sang songs together. She taught us how to read notes, stay on pitch and harmonize...

Then, the daily routine of the classroom began, like a steady metronome, predictable as the Regulator clock on the wall between portraits of Lincoln and Washington. We worked quietly at our desks, while each class in turn went up in front with the teacher, to recite and be instructed. The rest of us concentrated on learning our lessons, either because she wanted us to, or because we didn’t know what might happen at home if we didn’t. Our parents respected Mrs. Morgan, and we knew it. But mostly, she made us want to. She encouraged and praised hard work. She nodded affirmation of every attempt, with that smile. Oh, she scolded any shirking, and would keep you in from recess if she thought you weren’t trying hard enough. Recess was the only social time there was for isolated farm kids, so it was a real incentive. Yet even this wasn’t done in a harsh punishing way, but as “a chance to talk alone together over what was the problem.” She really believed and acted on “the spoonful of sugar.”

Everyday, several times a day, Mrs. Morgan would fill all the blackboards with lesson assignments, questions, and problems for the different grades to do at their seats. Her writing was almost too perfect to erase later.
excerpts from pioneersholesschool.org

WHAT'S A SLATE?
Slates were like small, portable blackboards for students to write on. They were widely used in the United States when paper was scarce and expensive. Even though paper had become commonplace by the late 1800s, it was still considered too expensive for the demands of children in rural schools.Until 1900, many children in rural schools still used slates for writing their assignments.
What were slates made from?
Slates were named after the stone that was used to make them. Slate is a kind of stone that can be separated into flat sheets. These flat sheets were typically cut down to pieces roughly 8" x 11". Early slates were made without any frames. Later, wooden frames were constructed around the edges of slates to provide support. Sometimes, a piece of felt or perhaps a ribbon of string was run around the edge of the frame to protect small hands from slivers. Slate is still commonly used today for roofing, flagstones, in buildings, and for the tops of pool tables.
How did people use slates?
Slates were ideal for work that didn't need to be saved like math homework or penmanship. Students might practice a lesson in class and take it up to the teacher to check. The lesson could then be erased and the student would work on the next assignment. Slates were easily cleaned and, unlike paper, nothing was thrown away or wasted.

There were special pencils made for writing on slates. These pencils were themselves made from slate and were sold in boxes of six or twelve. Often, the pencils had a paper wrapping on them like crayons do today. If the slate pencil broke, the pieces could still be used.
How old are slates?
Slates have been in use in the United States for a long time. They were advertised in newspapers as early as 1737. Slates with wooden frames were advertised in 1749.

It's often hard to tell how old a particular slate might be. They are still manufactured today and have been a popular toy off and on over the years. Perhaps the best way to determine the age of a slate is from the frame. The frames of older slates were often handmade from better wood and had fitted dovetail corners. Newer slates typically are framed in pine and are held together with small nails.
Do all slates look pretty much the same?
Most slates looked like any other slate. However, there were some interesting varieties that appeared. The Blackwell has examples of "double slates." These were created when two slates were tied together so that they could be opened and closed like a book. We also have books that were called "book slates." These weren't really made out of slate, though. They were made of thick paper that had been painted black to look like slates. The pages in these books could be used just like slates. One company even created a set of map drawing cards. These later "slates" were made in the 1860s.
(excerpt from http://www.cedu.niu.edu/blackwell/aboutus/artifacts.shtml)

Observation Skills

Reading and hearing are not the only ways we gain knowledge. One can learn a great many things by being observant.

WAYS TO INCREASE AWARENESS
Play “Look Again”. Look at a picture or scene. Then look again for more and more details.

In a story called, "Something Interesting". a mother and her two children waited for a bus. To pass the time, Mother told them to watch for "something interesting". They began to discover many things and described their observations to mother. Similarly, wherever you are and whatever you are doing, you can be aware of your surroundings and find something interesting along with the children. The more you look the more you’ll see. Tune into all five senses- "What do I see? Hear? Smell? Feel? Taste?"...

One author noted: “I learned that reading is rich in proportion to re-reading, that a good paragraph re-read half a dozen times does more for the spirit than any book hastily scanned. I learned that to look at a single tree for ten minutes reveals a personality hitherto completely unnoticed, that one bit of jagged coastline can be forever new as it flashes before thoughtful eyes. I learned that merely to wait quietly, seemingly without thinking, is sure to bring its sudden and bright reward.” --from "You Become Someone Alone", Reader's Digest, author unknown

FURTHER OBSERVATIONS
The deities daily, from Their lotus feet upward.

How-to Activities such as cooking, abhiseka, swimming, decorating, crafts, artik, singing kirtana, tulsi puja, gardening, home maintenance and repair, science demos...Watch shows or Educational TV or cable like DIY

Art - paintings and pictures, flower arrangements in a vase, clothing construction, beading designs on deity clothing, festivals decorations, interior decorating..

People watching - behavior, dress, physical features, speech...

Nature Study - plants, insects, seasons, movements of the sun, phases of the moon...

Literature- a books layout, "I Spy" books, book illustrations, Hidden Picture searches...

Movies- various settings, architectures, furnishings, dress...

AN OBSERVATIONS NOTEBOOK
Drawing enhances observation. Students can create a notebook of sketches along with observation notes. Such a notebook may include drawings such as: two ways to create a marble maze; each years ratha cart decorations; attractive flower arrangements in a vase; plants identified in the back yard; bead work ideas for sewing onto deity clothing; designs on borders; a room's arrangement you like, or a step by step drawing of how to do something, like how to sew a bead bag.

Notes may include the date, time, place, weather, temperature, sensory impressions, materials, colors, etc. 

Showing and Telling

TEACHING:
WAYS TO SHOW (done by the teacher)
  • Sketching something while talking about it.
  • Watching videos, a performance on a subject.
  • Observing nature, people, places, things related.
  • Going places. Any family outing brings opportunities for learning.
  • Looking at pictures, photos, art work, maps, charts, diagrams, graphs... For ready made visuals: thrift stores are a great place to hunt down very old books you won't mind tearing along with countless magazines. Many books are outdated in information but carry great pictures. Sort and file away until needed for illustrations or for art projects, writing inspiration, research notebooks... LATER NOTE: Now using Google image search!
  • Demonstrating a scientific principle, how to draw a face, how to sew on a buttonhole, starting a plant from seed, how to look up a word, diagramming a sentence, rolling a chapati...Using manipulatives for math, spelling, grammar...
  • Holding a child's hands to show how to swing a bat or guiding him where to stick the stamp on an envelope or grating cheese without getting nicked, or to write the alphabet for the first time. And not just seeing, but also -whenever opportunity arises- tasting, smelling, feeling and experiencing...
WAYS TO TELL

  • Telling students what you know about a topic. Or preparing ahead of time what you want to say about it, then telling.
  • Reading aloud- prose, poetry.
  • Telling a story or anecdote to illustrate a point made, etc.
  • Describing - a place, an experience, what you saw...
  • Explaining- what you did, how something works...
  • Reading aloud poetry and prose
  • Arguing for or against something, and telling why.
  • Students listen and may read also, including supplementary reading on their own.


EVALUATING:
WAYS TO SHOW (done by the student)
  • Drawing and or using visuals- an illustration, graph, chart, diagram, cartoon, poster, photos...
  • Using information- divide the pie for guests, multiply ingredients in a recipe, streamline a paper airplane...
  • Modeling - a sculpture, artistic piece or craft...
  • Presentation - a video, play, puppets, a speech, science experiment, collection, report, exhibit, a web page...Or a notebook presentation with drawings, poems, research... whatever is related to chosen subject. Notebooks can be put together as a place to store accumulated knowledge of a subject for a given amount of time before presenting. It becomes a record of study and a place to store things like narrations and other compositions, illustrations, instructions to remember, hand outs, memory work, and more.


WAYS TO TELL (done by the student)

  • Making comments or asking questions after listening, observing, etc. Teacher waits to give time for this.
  • Recite memory work
  • Writing- from dictation or original
  • Reading aloud own written work
  • Narrating Orally or in writing
  • Answering questions- orally or written
  • Reporting orally or written, on research done
  • Telling a story or event or experience
  • Describing what was seen or done
  • Explaining how to do something, how something works...
  • Arguing for or against something and telling why
  • Teaching- Teaching another person is  good way to show and tell what's been learned..

Tuesday, September 29, 2009

Helpful Materials

KRISHNA CONSCIOUSNESS
Bhakta Handbook
Prabhupada's books online
A Vedic Encyclopedia
Hitopadesha by Sri Narayana Pandita, Translated and commented on by Satya Naryana Dasa from Jiva Institute. Email- Snd@jiva.ernet.in
 Hitopadesha weaves valuable moral instruction into fascinating stories involving animal characters. Traditionally taught to children, like nursery rhymes, but their utility increases with age. Children may not understand but they will remember and be aided later in life. (The above translation was written for older students. For simpler version look for the link on the right of this page "Tales of Hitopadesha.)

TEACHING IN GENERAL
Hand book for Creative Teaching by David L. Martin
This book was written for a teacher who worked in a traditional Mennonite schoolhouse with multi level students. Packed with practical information and how to think like a teacher. A great help.

You Can Teach Your Child Successfully by Dr. Ruth Beechick
Another favorite. At first it was discouraging because I was super ignorant of all the subject, but now its a goldmine to draw from. Lots of practical information and good ideas in this book. Highly useable. It includes a way to teach spelling without any formal text by the study of the most common words in the English language (listed), word families of common spelling and the misspelled words taken from a child's own writing.

Schoolproof by Mary Pride

How to Write a Low-Cost/No-Cost Curriculum for Your Home-School Child by Borg Hendrickson
If I still had this book, I'd finally be able to use it! Great for learning how to write your own objectives, plan your own Krishna conscious curriculum.

The Well-Trained Mind: A Guide to Classical Education at Home, by Jessie Wise, Susan Wise Bauer  I liked best in this book the use of narration and outlining as primary study methods.

PHONICS
The Phonics Workbook series published by Rod & Staff, The decent illustrations cannot be beat. Nothing cutesy. The phonic presentation itself is very thorough. Use these workbooks to supplement your own phonics program. Collect all the phonemes and rules for spelling lessons afterwards.

An alternative suggestion and presentation which I've never used but seems sensible. I discussed this briefly in my post on teaching reading:
Alphaphonics by Sam Bloomenfeld In one volume only, you get a complete, reusable phonics course, so if you have more than one child to teach, it's economical as well.

READING
Reading Strands by Dave Marks
How to teach reading without a lot of workbooks and using library books instead of reading text books. If you don't follow his recommended program, the book is still worth the read for how to talk about literature with a child along with all the various reading skills and literay analysis listed and explained.

WRITING
Any Child Can Write: An At Home Guide to Enhancing Your Childs Elementary Education by Harvey S. Wiener
I learned a lot about writing from this book and how to teach it.

If You're Trying to Teach Kids to Write You'Ve Gotta Have This Book by Marjorie Frank This book is good for loosening up writing ideas, if you don't mind getting silly now and then. Includes steps used in the Writing Process.

Understanding Writing by Susan Bradrick
It's supposed to be a complete writing program up to grade 12, but I had trouble implementing this as is. Instead, I myself learned a lot about writing and it gave me useful ideas how to teach it. I got the information about "the Elements of Writing" from this course.

ENGLISH GRAMMAR AND COMPOSITION
The English series by Rod and Staff Publishers, grades 2-8
I like these because the exercises are easily adaptable and the pictures in the mode of goodness. Whatsmore, is that you learn a great deal about English. Diagramming is taught right from the start.

DICTIONARY SKILLS
Rod and Staff Publishers also has an inexpensive workbook by which children may put together a simple dictionary via cut and paste and coloring.

MATH
We used the Saxon Math series and like it very much. Manipulatives are available to use in K-3 grade levels, but many can be homemade. Gradually children can use these on their own. Lots of repetition to help children learn a concept well.Saxon Math series - the incremental method for learning math. All my kids used these with great success. Earlier grades are parent intensive. Older children can use the textbooks on their own.

FAVORITE CHEAP BOOK SELLER
Rainbow Resource

FAVORITE SCHOOL HELP ONLINE
Youtube.com - loads of educational videos to supplement learning of any subject! Supplement Math, Science, Geography, Art lessons, etc

Monday, September 28, 2009

Literature Analysis

Helps for discussing stories and so on with children and helping them with their own writing.

ELEMENTS OF A SHORT STORY
CHARACTER:
Studying character may include:
  • whether the character was dynamic or static
  • whether flat or round 
  • the hero (or the heroine) or the protagonist;
  • the villain or the antagonist or a foil
  • finding indirect and direct characterization

EXAMINING A CHARACTER BY HIS
  • actions
  • speech
  • thoughts
  • relationships or how characters interact
  • motives
  • weaknesses and strengths
  • physical characteristics and appearance
  • intelligence
  • qualities
  • surroundings

SAMPLE QUESTION FOR DISCUSSION:
  • What general statement(s) could you make about (a character) based on the information given?
  • How would you introduce a character to a friend? List the character's strength and weaknesses, likes and dislikes. Explain whether or not you like the character. Support your opinion with examples from the list above.
  • Compare the main character’s feelings at the beginning of the story with his feelings at the end. How does the main character change? What causes these changes to occur? How do you feel about the character at the end of the story? Or be the main character. How would you describe a day in the beginning of the story? At the end of the story? How did you change?
  • Does this character express what the sastras teach? Give evidence.
  • Tell how you think a character would have acted if he had been placed into another story you have read.
  • Be a character in the selection. Explain your motives behind a particular action.
  • Find sentences in which a character was happy, sad, disappointed, angry, surprised, or discouraged.
  • Choose three adjectives you think apply to a character. Give evidence that shows how that character displays those three traits. Look for examples of how he acts, thinks, and feels, his surroundings that reflect his character, and how other characters respond.
  • Rework the description of a character to make the reader feel different about him. A stingy character can be rewritten as generous, etc.
  • What is one character’s opinion of another? Find evidence that seems to support your assessment.
  • Choose a quote from a character. Tell why it would or wouldn't be a good motto by which to live your life.
  • Tell what ways you are like and unlike one of the characters in your story.
  • Describe a character's life twenty years from now. .
  • Add a new character to the story and explain what you would have him or her do in the story.
  • Be the main character and explain the main events of the story.
  • What did a character learn or not learn?

SETTING
Setting is the place and time that a story happened. It can sometimes be as important as a major character. For example,a character may be alone in the wilderness, struggling to survive. The conflict involves him and the setting.

SAMPLE QUESTIONS FOR DISCUSSION
  • Where does the story take place? How does the setting affect the character(s)?
  • List a few things you know about the place in the story.
  • Draw a picture of the setting or a scene.
  • Make several sketches of some of the scenes in the book and label them.
  • Draw a picture of the setting of the climax. Why did the author choose to have the action take place here?
  • If you were there, what would you see, hear, smell, etc?
  • Find images that make the setting of the story seem like a human antagonist.
  •  Compare the setting of the story with how we live today.
  • Ask yourself why the author chose the setting? Do you think the problem expressed in the story would make sense if the story took place elsewhere or at a different time?
  • Change the setting of the book you read. Tell how this change of setting would alter events and affect characters. Prove that the story could have or could not have happened in a different setting,

PLOT
Plot is the ordered events of a narrative.
Studying plot may include knowledge of the following:
  • exposition
  • conflict
  • climax
  • resolution or outcome
  • sub plots

EXERCISE EXAMPLES
  • Write a plot summary. Include who the selection is about, what happened and where it took place. You may conclude with any personal reactions or appreciation and why.
  • Make a time line of the major events in the book you read. Be sure the divisions on the time line reflect the time period in the plot.
  • Complete a series of five drawings that show five of the major events in the plot of the book you read. Write captions for each drawing so that the illustrations can be understood by someone who did not read the book
  • Write the plot for a sequel to this book.
  • Write a different beginning. How does it affect the story?
CONFLICT
Conflict is the problem or struggle that takes place in a story.
Kinds of conflict and be internal as well as external. They include:
  • person against person
  • person against nature
  • person against himself
  • person against society

EXERCISE EXAMPLES
  • Describe the problem or conflict existing for the main character in the book. Tell how the conflict was or was not resolved.
  • Whose side of the conflict are you on? Why?
  • In stories they make mistakes, sometimes really stupid ones. Note that if they did not, there wouldn’t be much of a story. What can we learn by reading about a character's mistakes?
  • Be the main character of your book. Write a letter to Mr. Advice to tell him about one of your problems or worries.
  • Mr. Advice always gives his letter writers good advice to help them deal with their conflicts. Be Mr. Advice. Answer the letter.
RESOLUTION
The resolution is the part of the story where the conflict is resolved in some way. Two basic types of resolution are tragedy and poetic justice, the latter being the most satisfying.

EXERCISE EXAMPLES
  • Do you like the ending to the story? Why? 
  • Did you expect a different ending to the story?
  • How would the story be affected if the ending were changed?
  • Is there a “moral to the story?” What has the main character(s) learned from his or her experiences? What have you learned from reading this piece?
  • Is there a surprise ending? Write your own story with a surprise ending.
  • Write an alternative solution or change the resolution. Compare.
  • Finish writing a short story before reading the ending. Compare.
  • Imagine you are one of the characters after the story ends. Describe how you feel or write a letter to another character expressing that feeling.
  • Write a scene that could have happened in the book you read but didn't. After you have written the scene, explain how it would have changed the outcome of the book.

POINT OF VIEW
Studying point of view usually includes knowledge of the following:
  • first person point of view (I )
  • third person point of view (he, she or they), either limited (limited to the point of view of only one character) or all-knowing unlimited (reveals the thoughts and actions of many characters in the story)
Point of view can also be subjective or objective.

EXERCISE EXAMPLES
  • Is this story told from the first person point of view or the third person point of view? How do you know? How would the story be different if it was told from another point of view?
  • Rewrite a paragraph, changing the point of view
  • Change the point of view in a story.
  • Do you agree with a character’s viewpoint or opinion?
  • Describe how the impact or the tone of the story would have changed if a different point of view has been used.
  • Describe the person telling the story.

THEME
Evaluation of the theme of a piece and it's personal application is also important.

EXERCISE EXAMPLES:
  • Choose from several possibilities which title would best express the teaching in the story
  • State in at least one sentence the story’s theme, as you interpret it. Look at the title for clues,and find the passage where the title is explained, if any.
  • Write a two paragraph essay in which you first state the theme and then discuss your response to that theme. Do you accept a theme as true or do you have arguments with it?
  • Develop the theme into a topic sentence and write about it. Use material from the story to support your topic.
  • Write about what you learned from the story.
  • Explain the title. Is it appropriate? Why? Why not? Decide on an alternate title for the book. Why is it appropriate? Is it better than the one the book has now? Why or Why not?
  • Respond to a story’s subject, how it affects you. Discuss how the stories theme has relevancy in your own life.
  • Find another story with a similar theme.
  • Write you own story with a similar theme.
  • Find a verse in the scriptures that expresses the same idea as the story does.
  • Design a book cover that illustrates the writer’s theme or message.

ELEMENTS OF A DRAMA
A play has many of the same elements as a short story.
Studying a play may include knowledge of the following:
  • narrator
  • act
  • scene
  • dialog and aside
  • stage directions

EXERCISES:
  • Change a favorite story into a drama.
  • Act it out or use puppets.
  • Design the set you would use for your favorite scene.
  • Assign parts and read aloud a play together.

ELEMENTS OF A POEM
Try to read to students a poem each day along with regular story time
Poetry gives one a new way to look at things or to experience the world
Studying poety may include knowledge of the following:
  • stanza
  • kinds of poetry
  • rhyme and rhythm
  • speaker
  • mood
  • meter,
  • refrain

EXERCISE EXAMPLES
  • Translate a poem. Pay attention to the punctuation for help. Make sure you know the meaning of every word used. The speaker must often be inferred by the clues given.
  • Change a poem to prose. Later reread your writing and turn it back into a poem Compare and contrast two poems.
  • Change a poem’s tone.
  • Change the speaker in the poem.
  • Figure out the meter and use it in your own poem
  • Analyze a poem’s message . Respond to a poem’s messages
  • Add original stanzas to a poem.
  • Write a poem of a similar message or theme
  • Select a favorite story and write a poem about its theme.
  • Do choral reading with poetry.
  • Write a cinquain about about a favorite character in a story you read:
Line 1 Write one word that names the character
Line 2 Write two words that describe the character
Line 3 Write three words that express action
Line 4 Write a four-word phrase about the character

  • Write an acrostic poem to describe the main character of the selection. In an acrostic, the first letter of each line forms a word when read from top to bottom. The word names the topic of the poem.
  • Draw a picture the poem invokes.
  • Make up a tune and sing a favorite poem.
  • Memorize favorite poems for recitation. File away a written copy of each.
  • When assigned several poems in a row, chose the one you like best. Tell why
  • Choose you favorite verse form a poem. Under each line write a personal response to the line. A response is a comment or thought that comes to your mind as you read and think about the words. It may be one or two words, or a sentence. When finished write what you like best about the poem.
ALSO SEE poetry ideas from "You Can Teach Your Child Successfully" by Dr. Ruth Beechick

SUGGESTION FOR WRITING A POEM
  • Figure out the rhythm you’d like to use first. Set a tune and sing a favorite poem over and over until the beat is established. 
  • Put it away and use the rhythm to let your own poem flow out, perhaps of a similar theme.
  • Revise and polish until satisfied.
ELEMENTS OF NON FICTION
Like fiction, nonfiction may also have characters, plot, and setting such as in a biography. However, these elements are real, not made up.

Studying non fiction literature may include knowledge of the following:
parts of an essay
fact or opinion
verifying information EXERCISE EXAMPLES
  • After reading something full of information, develop an outline; use it to imitate the article.
  • Study an essay and its structure. Then write your own essay on the same or a similar subject.
  • After reading a non-fiction book, become a teacher. Prepare a lesson that will teach something you learned from the book. It could be a "how-to" lesson or one on content. Plan carefully to present all necessary information in a logical order. 
  • Present your lesson to your students. How did you do? If you taught a "how-to" lesson, look at the final product to see if your instructions to the class were clear. If your lesson introduced something new, you might give a short quiz to see how well you taught the lesson.
  • When studying another country pose questions like, “If you had recently moved to the jungles of Zaire, what would be your biggest problem? “What would you do if....?”
ABOUT THE AUTHOR
In any piece of literature, being aware of who the author is is another important aspect of literary analysis. Note the following:
  • the author’s background,influences
  • the author’s purpose - to entertain? inform? persuade?...
  • the author’s tone or feelings and attitude toward his subject or character,
  • the author’s style or diction
  • the author’s bias or view of God and religion,

EXERCISE EXAMPLES:
  • Read several selections of poetry or prose by the same author and then compare. Evaluate the writer’s style. Tell what you think of it, like or dislike.
  • Learn more about an author’s life and background. How did it affect his writing? Why did the author write the story this way? How did the author know about these kinds of things?
  • Tell about the author or illustrator in an oral report.
  • How would you describe the author’s writing style? Is the language formal or informal? Are the sentences long or short? Can you find a rhythm in the writing? What about the paragraphs? What is the tone of the language? Is it humorous, serious, matter-of-fact?
  • Think of an adjective that describes the tone of the story; prove it by evidence throughout the story
  • Find humor or something else typical of the author’s style.
  • What is the author’s viewpoint in this selection? What details are offered to support this viewpoint?
  • Evaluate the author’s viewpoint on a subject. Do you agree?
  • What is the author’s attitude toward a character? What words are clues to the author’s attitude?
  • What does the author do to make you feel inclined toward a character? Use their method to describe someone.
  • How do you think the writer wants us to feel about a character- how would you say he/she was characterized?
  • Write to the author of the book telling him/her what you liked about a book or any question you may have. Use examples from the selection to support your opinion.

Study Skills Checklist

Here's a basic attempt to collect those elusive study skills into one place:

READING SKILLS
Tips for Reading Aloud
Oral Reading Skills
Thinking Skills
More Reading Skills
The SQ3R Method

WRITING
Elements of writing
The Writing Process
Copywork, Narration and Dictation (The Natural Method)
Handwriting
Grammar

WORD STUDY
Phonics
Spelling
More Word Study (includes Dictionary Skills)

LITERATURE ANALYSIS
Elements of literature
Literary forms, terms and techniques

MORE STUDY SKILLS
Research and Report
Speaking
Observing
Memory Work
More More Study Skills (includes Listening)

Homographs

Here's a printable hand out for students:

HOMOGRAPHS
Homographs share the same spelling but different pronunciation and meaning. Here are some examples:

1) The bandage was wound around the wound.
2) The farm was used to produce produce.
3) The dump was so full that it had to refuse more refuse.
4) We must polish the Polish furniture.
5) He could lead if he would get the lead out.
6) The soldier decided to desert his dessert in the desert.
7) Since there is no time like the present, he thought it was time to
present the present.
8) A bass was painted on the head of the bass drum
9) When shot at, the dove dove into the bushes.
10) I did not object to the object.
11) The insurance was invalid for the invalid.
12) There was a row among the oarsmen about how to row.
13) They were too close to the door to close it.
14) The buck does funny things when the does are present.
15) A seamstress and a sewer fell down into a sewer line.
16) To help with planting, the farmer taught his sow to sow.
17) The wind was too strong to wind the sail
18) After a number of injections my jaw got number.
19) Upon seeing the tear in the painting I shed a tear.
20) I had to subject the subject to a series of tests
21) How can I intimate this to my most intimate friend?

MORE
In what language do people recite at a play and play at a recital? Ship by truck and send cargo by ship? Have noses that run and feet that smell? How can a slim chance and a fat chance be the same, while a wise man and a wise guy are opposites? You have to marvel at the unique lunacy of a language in which your house can burn up as it burns down, in which you fill in a form by filling it out, and in which, an alarm goes off by going on.

(taken from the Internet)

Literary Terms and Techniques

Here's a checklist of the many terms and techniques taught in textbooks for literature analysis and writing. It's a good idea to learn them, so you can share with your children this special language for discussing reading and writing and other media.

acronym
acrostic
adage
adventure
advertisement
allegory
alliteration
allusion
analogy
anecdote
annotation
antithesis
apostrophe
archaic language
assonance
autobiography and biography

ballad
blank verse
business letter

cliche
comedy
connotation and denotation
conflict
couplet

descriptive language (concise and concrete)
dialect
dialog and monologue
didactic poem
drama

editorial
epic poem
essay
euphemism

fable
fact and fiction
fact and opinion
fairy tale
fiction and nonfiction
fictionalized biography and historical fiction
figurative and literal language
flashback
folktale
foreshadowing
formal and informal language
free verse
friendly letter

haiku
horror
humor
hyperbole

idiom
imagery
irony - verbal, dramatic or situational

jargon
joke

legend
limerick
lyric

meter
metaphor, extended metaphor
monologue
mood
myth
mystery

narrative poem
news story
novel

ode
onomatopoeia
overstatement and understatement
oxymoron

palindrome
parable
paradox,
parallelism
parody
personal narrative
personification
plot
poetic justice
poetry and prose
point of view
prayer
proverb
pun

quatrain

realism and romanticism,
reality and fantasy
refrain
repetition
report
riddle

sarcasm
satire
science fiction
sequel
short story
simile
sonnet
speech
spoof
spoonerism
stanza
surprise ending
suspense
symbol

tall tale
theme
tone
tragedy

LITERATURE STUDY NOTEBOOKS
Write down the term(s) along with definitions and any short examples that are given. Be on the look out and record your own examples you happen upon. Here are some:

ALLEGORICAL STORY
The Story of King Puranjana

ALLUSION
“The Bible is truth, but not the whole truth and nothing but the truth.”

ANTITHESIS
"One small step for man; one giant leap for mankind."

"We find ourselves rich in goods but ragged in spirit, reaching with magnificent precision for the moon but falling in a raucous discord on earth. We are caught in war wanting peace. We're torn by division wanting unity."-- Richard M. Nixon

“It was the best of times, it was the worst of times”-Charles Dickens

ASSONANCE
“I Do Believe in Spooks”

DRAMATIC IRONY
Duryodhana embraced Karna and thought of the Rajasuya. “O Kurus,” he said, “When shall I celebrate that best of sacrifices, the Rajasuya, after killing the wicked-minded Pandavas?” (Mahabharata by Krishna Dharma, Sage Durvasa)

“What are you doing?” cried the huge fish Matsya (to King Satyavrata). “Don’t you know the ocean is full of dangerous creature who will eat Me the first chance they get?”

EUPHEMISM
"His clothes have seen better days," is nicer than saying "His clothes are shabby."

"Sanitation department" is nicer than "the garbage dump"

"Passed on" instead of "died"

"Passing water" instead of "urinating"

HYPERBOLE
“Eight days a week, I love you.”

IDIOM
“a back seat driver” “bent out of shape” “it beats me”, “get a grip”

METAPHOR
"O tiger among men..."
The new siding on the house made an attractive skin.

OXYMORON
Courage, the Cowardly Dog

PARADOX
an abused woman who advocates anti-feminist values
a slave owner who is an abolitionist.

PERSONIFICATION
Due to heavy rainfall, the garden awoke.
The joyless fields were covered in snow.

PUN
“I could tell that the overweight couple discussing their new diet had a lot weighing on their minds.”

SIMILE
She strode down the aisle like a high-fashion, runway model.

SPOONERISM
Instead of "bake bread"- "break bed".

SYMBOL:
“Into each life some rain must fall”

a white flag is a sign of surrender

Vaisnava tilak

The Terminator's relentlessness signifies death.

USING WHAT YOU LEARN
Flashback- Writing a story beginning by using flashback.
Foreshadowing- Finding the clues that hint the setting was spring time.
Irony - Explaining the irony in a story. Did you find it believable?
Realism - Telling whether or not you found the story believable. Citing specific details to support your evaluation.
Any writing technique- Is it effective? Why do you think so?
Monologue - Writing a response.
Dialog- Asking yourself questions and then responding from a different point of view in an imaginary dialog with, for example, a praying mantis. Or your liver. Or a favorite character. Or a flower in Srimati Radharani’s hand...
Or writing a dialog with yourself to discuss a topic you find important.
Mood- How would you describe the mood of a written piece? What words and phrases did the author use to establish that mood?
What was the mood of the story at the beginning? Does the mood change?
Forms of literature- Change one form of literature to another. Or rewrite a poem into prose. Leave this aside for a few days, then try to write it back into a poem using what was written.

Why Discuss Literature?

SEEKING OUT THE ABSOLUTE TRUTH
To make any kind of literature study worthwhile, can use our knowledge gained from sastra to evaluate and uncover universal, timeless truths found there.

PROBLEM SOLVING
Literature study puts us in various situations, settings and conflicts, and thus gives one a chance to apply Krsna consciousness teachings. It shows that Krishna consciousness is what's missing. It is what gives completeness, solutions to life’s problems, and peace. It is the panacea.

CRITICAL THINKING
We must learn to think and judge what is read instead of accepting everything blindly. With the exception of analyzing the faults and mistakes made by the characters in devotional stories, a devotee of course cannot find anything to criticize or argue with in sastra. Literary discussions, however, give the chance to exercise these faculties fully.

GOOD WRITING MODELS
Analyzing writing techniques, styles and mechanics carries over to one’s own writing. Extensive reading drills proper language usage. One gets a feel for excellent writing which contains rhythm and other nuances.

ALLUSIONS
Exposure to classical literature, including Biblical writings, is part of what's considered "cultural literacy", a common core of knowledge shared in a culture. Allusions to these are often found even in ordinary dealings such as calling someone a "Scrooge" or references to "Cain".

ANALYTICAL THINKING.
When we learn to analyze the various parts of something and how they work together as a whole, this gives us a deeper understanding of a selection overall. And the various writing terms and techniques analyzed can be applied to one's own writing.

MOVIE REVIEWS.
If your family indulges in such things, the study of literature is useful for thinking, talking about and reviewing movies as well. You can discuss what was seen, rather than leave children to their own speculations.

VOCABULARY
Discussing literature affords the chance to use the special language that readers and writers use and need to talk about writing, language and literature, such as metaphor, irony or hyperbole.

KEEPING PRIORITIES
Literature study should be balanced so not to neglect the most valuable study- Srila Prabhupada’s books.

Furthermore, people had far fewer books in the past, yet a higher quality of writing. The mode of passion dictates to read an endless amount of books, but not all books are worthy of being treated the same. Sir Francis Bacon wrote: "Some books are to be tasted, others to be swallowed, and some few to be chewed and digested: that is, some books are to be read only in parts, others to be read, but not curiously, and some few to be read wholly, and with diligence and attention." The latter of course is Srila Prabhupada's books, which are the measure for any other books that help us in life.  

Sunday, September 27, 2009

Planning a Reading Lesson


These ideas were taken from Dr. Ruth Beechick's "McGuffey’s Teacher’s edition" and other sources such as "Creative Teaching Handbook" by David L. Martin. The format is similar to the SQ3R study method but used from a teaching perspective. It looks like a lot of stuff, but gets easier with practice, knowing what to use at any given time.

One thing often puzzling, however, is how much assignments should go along with reading selections. One school of thought argues to let children alone, just let them read, read, read. If you give them assignments, it may destroy their enthusiasm for reading, reading will become looked at as a chore, etc.. Another school of thought says to give them questions, etc. to answer to be able to better focus on what is being read and to remember what was read. Of course, it also depends on a child and his environment like how much television goes on in a home or whether the parents themselves like reading, and some children just cannot sit still very long. It's now recognized that many people prefer to do something or watch something being done rather than hear or read about it. So most likely the best route is to go with the individual being taught. For those that resist reading, it may be wise to go easy on them with assignments and encourage reading as much as possible as a fun alternative to other forms of information, taking frequent trips to the library and letting children choose what interests them. In other words, being sensitive to what works best for an individual.

That said, the following is the general road taken by many teachers- reading instruction that has structure and forethought:

1.PREPARING TO READ
NEW VOCABULARY
If there is no vocabulary list included in a book, mark any vocabulary words that may be new to the child. Older students can do this on their own after a preliminary reading.

If the child cannot say or does not know the meaning of a word, they can do a study before reading the selection. Make a card and write the word's correct spelling and any other pertinent information they are learning for word study such as writing the pronunciation. Have the children pronounce their new words correctly.

Make a word memorable. For example, read the phrase "white as a nun". If a child does not know what a nun is you can explain. And by showing a picture of a nun fully robed you can ask, "Why do you think a nun might be described as 'white'?"
The teacher can do various exercises for working with words. For example, give students practice to scan their books quickly for information as well as other skills such as locating a paragraph: "I'm going to say a special word. Find a word in the story that reminds you of that words, The word is "summer".
Words that rhyme: "See how quickly you can find a word in the third paragraph on page 10 that rhymes with "house"."
Words that begin the same: "Find all the new vocabulary words that begin with the consonant blend 'sl'"
Words that end the same: "Find all the new vocabulary words that end with the suffix '-ing'"

INTRODUCE THE STORY
Choose a few questions to launch children into reading a story. One way is to relate the setting and character to the student's own experiences. If you are about to read, for example, about Prahlad in the pit of snakes you could ask:
Have you seen snakes at the zoo? How do you feel when you see a snake?
Other questions that arouse interest and get the pupils into the story might be:
"How could being a devotee get anyone in trouble?" Looking at the picture, say "Did you know that more than one snake was in the snake pit? How could it be possible for someone to survive?" Or looking at a picture of Hiranyakasipu ask, "Does a king ever make mistakes? Hiranyakasipu thought Prahlad to be his enemy. Find out why."
Also you can use questions that get down to simple facts:
"What did Prahlad do when he was in the snake pit? How did that help him?"

There are other typical or generic questions one can use by default when introducing almost any story. The point is to give children something to think about and look for as they read:
How are the children in the story like the children in your family?
What is the problem in this story? How do the main character solve it?
What do you like best about this story?

You can write the questions on the board for the children to keep in mind while they read the whole story silently.

If you have no teacher's guide with ready made questions,you can formulate your own questions. A used teacher's book from some other reading series lists good questions to use as guides. Most just need a little adapting.

The point of the questioning is to help children do more than read the words. You want them to find answers so they can tell you afterwards what they read. Remember: "Read To Find" (This is after children are fluent readers. In the first stages of reading they are too busy learning to decode by reading to the teacher aloud to be concerned about understanding what is read. This post is about teaching reading to children already fluent and ready to begin more comprehension of what is being read.)

Not prepared and can't think of any question? Turn the title into a question and ask students to look for the answer. Looking over any pictures given with a selection can also stimulates an interest in reading to find out what's going on.

II. READING
Plan time for the students to read silently the lesson and as many times as needed to answer the questions given them.
Sometimes you can test their silent reading by asking questions one at a time. Tell the children which paragraph to read and wait for their answer.

Younger students should primarily read aloud. As they gain proficiency they can turn to more silent reading.

Older students begin to have longer selections.They can return to the lesson the next day with their assignment read and perhaps with a couple motivating questions answered in writing. The written questions prompt the students to do enough rereading to answer them.

III. FOLLOWUP
Discussing a reading selection is similar somewhat to discussion science or history but a lot different also. In other subject, you emphasize getting the facts. In reading you emphasize pondering the facts.

ASK THINKING QUESTIONS
Besides answering the questions given earlier, it's time for asking other questions, too, to see what children got out of their reading. Simple fact questions are not unprofitable, but ask thinking questions, also.
"What did you read?" or "Close your book and write everything you can remember about the story." or "What happened on the first page of the story?
Or make a list of main events. Let the students retell the story using the list. This teaches story order.

If the first paragraph is about a boy named Dhana going to the kitchen to get a tray of sweets to bring to the temple, that is just to get the story started. You want the children to home in on the conflict that begins in the next paragraph. Suppose half the sweets on the tray are missing. You could ask: "When did Dhana first realize that someone or something had gotten into the kitchen?" Have students answer in their own words. Later, when they write the answer to an assignment, they may copy the answer from the book. This will guide their spelling. But for the discussion, ask the kind of questions that makes the children translate what they read from the book in order to grasp the thought:
"How did Dhana know what direction to go to begin looking for the missing sweets?"
"Which sentence best describes the picture on page 31?" "Do you think Dhana's older sister might be right?"
Keep the discussion on target. Make sure they get to the point of the story.

Instead of preaching to children about what they should do, it is better to tell them what the story character should have done. Better yet, have the children tell you.

PRACTICE ORAL READING (see Oral Reading Skills checklist)
Students of all ages benefit from continued oral reading practice. Poetry is brought out best by reading it aloud. Reading aloud can be done in the subject classes as well.
For older students, if a selection is very long and there are few students, they may practice reading aloud a select portion only.
Read aloud a paragraph with good expression to set an example. Then gives students a turn.Praise a job well done.
Find quotations marks, commas, exclamations, questions, etc. and focus on reading these nicely as well.
Reading quotations with a slight change of voice can be exaggerated at first for emphasis.
Point out how a sentence would read wrong if we neglect the comma or it would sound flat if we neglect the question mark.

GIVE AN ASSIGNMENT
No workbook? Decide what reading skill you want to emphasize in a story. Assign written work to reinforce it. Certain skills and certain stories go well together. A story with a surprise ending could teach the skill of predicting outcomes:
"Find hints the author dropped along the way to make the ending believable." A story about a mischievous goat. "Find mischievous way the author said things to make the story seem amusing."
A story with lots of action: "Draw a map of the farm where this story took place. Show where Bala walked and where Janardan walked. Put an X on the spot where they met." This sharpens the skill called "visualizing".
Or draw a picture for the story. Write a sentence or two about the picture. Or find and copy the sentence in the story that best fits the picture.
With other stories you can emphasize vocabulary skills.
Plan ahead a little. Go thorough the stories and pick the skill or skills you want to emphasize for each story. Pencil a note at the title. Repeat at the table of contents for a cross section of plans. Then check to see if you are missing an important skill.

Much of the time, students should answer with complete sentences. Help students formulate a complete sentence using the question as well as the answer in the text..

Allow any questions a child may have about the assignment before they begin.

ONE LESSON NUTSHELL (taken from "Creative Teaching Handbook")
1. Where does this reading assignment fit into the train of thought of the chapter or unit?
2. What is the main idea of the assignment?
3. For what purpose will the students read this? What written assignment will bring out that purpose?
4. What interesting comment or new twist can I give to the assignment?
5. Is there any particular difficulty with the assignment I should warn the students about?

ALSO
What materials will be needed for the assignment?
What will be the carrier of most of the discussion? Will it be notes I put in the text margin, the written assignment questions the students answer or both? Or will I move away from routine and work mainly with maps, a project, a demo, a drill, or a class review?
Have I given the experiments and demos a trial run?
Do I know at least a few good questions to start and guide the discussion?
Do I have any good illustrations?
Can the teacher guide help me?

CHECK THEIR WORK
This can be done by the teacher or in class the next day as a review and recap of what was learbed before beginning a new lesson.

SUMMING THINGS UP
First, the vocabulary and a few questions, so the students can read the story knowledgeably and with a purpose.
Then the story, discussing the contents and emphasizing one or two important reading skills, such as finding the main idea.
Then a written assignment to clinch those reading skills.
Perhaps include a vocabulary or reading skill quiz for a change of pace.

READING SASTRA
All the above can also be used to read sastra. Thinking about what is read vs simply reading can help to relate the sastra to one's daily life ("Why should I know that Krsna protected Ajamila? Why should anybody know this?") and to find from literature, especially sastra, an expression of one's own feelings.

More on Teaching Reading

More notes about teaching reading:

STAGES OF READING:
PHONICS AND DECODING
This involves all matters of learning phonics and decoding words.
FLUENCY
The aim should be to get the child to read quickly, well and habitually.
READING FOR INFORMATION
Silent reading increases at this time, usually around the beginning of fourth grade.
HIGHER THINKING SKILLS AND LITERARY ANALYSIS
Thinking about  and analyzing what is read.

THREE KINDS OF READING:
TEXTUAL READING
Texts containing factual information.
IMAGINARY READING
This is fictional poetry and prose that fill and broaden the imagination, yet also implant important truths.
Reading a story is different than reading factual information because it is subjective and interpretative.
FUNCTIONAL READING
This includes knowing how to read labels, signs, schedules, maps, timelines, timetables, charts, diagrams, graphs, questionnaires, directions, fine print, telephone book, ads, forms, applications, catalogs, and so on.

READING RATES FOR VARIOUS PURPOSES:
SKIMMING AND SCANNING-
These involve overviewing or surveying the material (as in part of the SQ3R method- Survey, Question, Read, Recite, Review) and also when searching quickly for particular information. Skimming is a quick overview, looking at titles, openings of paragraphs, material in the back of the book and so on. Scanning is looking for more specific information.

Students learn to scan by searching for the right color crayon, looking for hidden pictures, scanning a spelling list to complete a workbook page, doing word searches, or looking for specific information in an assignment. A key phrase a teacher should use is "Read-to-find" for answering questions. Or say phrases for children to find quickly by scanning a page or entire selections. "How many times does the poet say the word 'beautiful'?" See how quickly children can find the answer to the question given. For older students you can make a statement about a story. Have students find sentences that support that statement.
Scanning tips- Have a mental picture of what you are looking for. Look for key words, consider where in the text they might be. Scan line by line until they are discovered.

STUDYING
This is the slowest, most careful form of reading, such as when using the full SQ3R method.

SPEED READING-
Speed drills can be given to increase speed for various reading purposes. Beechick’s You Can Teach...gives information on how to create your own. Also Abeka has speed drills and selections for timed readings.

FREE READING AND PERSONAL INTERESTS
This is not about lessons, speed drills or anything else. Encourage the reading habit with trips to a library, special interest books given as gifts, magazine subscriptions, vacation reading and a well stocked home library. Set aside time daily for silent reading. Just put a good book in children's laps and leave them alone. 

In other words, there should be both instructional and independent reading going on side by side. Instructional reading involves slightly more difficult than a child's independent reading (this is called a child's "instructional level") and independent reading depends upon a good supply of books and magazines for free reading that the child can read without difficulty (this is called a children's "independent reading level"). This kind of reading should not be underestimated. It allows child to meet words over and over again, increase in fluency, and to gain knowledge and experiences.

UNDERSTANDING AND BUILDING COMPREHENSION:
Comprehension is another word for reading. One may decode words but actual reading involves understanding what was read.

Comprehension is aided by what a reader brings to the reading, such as the experiences gained by previous reading and practical experiences. The depth of the comprehension depends on these things. For example, the word "war" is comprehended differently by a child as it is by a Vietnam vet. Or the story of the Tower of Babel will be comprehended less by a child who has had no experience of living overseas and thus being unable to understand the local language that surrounds him.

The best way to improve comprehension is to read or be read to because reading is able to lend experiences that may never be possible in our daily life. A child can read the feelings of a child that IS in a foreign country and unable to understand, and in this way deepen his comprehension. Prabhupada also says that hearing is as good as seeing. Seeing may be there also later on, but why put more importance on only seeing? Reading may be supplemented with books on tape (Krishna book stories and so on) when a parent is temporarily unable to read.

Also storytelling is extremely important. Every good teacher and parent must be full of stories to tell to broaden every child's horizons and also if there is a shortage of decent books. A child's reading builds upon, therefore, hearing, reading and life experiences.

Furthermore, reading material becomes interesting when it is relevant to one’s own life. Help the children to discover that relevancy. "Why should I learn this? Why should anyone have to learn this? How can this help me? What does the topic of this selection have to do with me?"

More help with comprehension is to begin younger students with simpler versions of stories they’ll need to know later on. For example, a children's Mahabharata and Ramayana will make it easier to comprehend the adult version later on. Since he's familiar with the basic stories, he can focus more on the nuances involved and apply higher thinking skills, and a background understanding of Bhagavad gita will enable one to focus more on the philosophy presented.

Comprehension may be tested during oral or written narration, answering questions and during student recitations, or simply waiting for a child to come up with a response on their own. If he says something about the reading selection, you know he is comprehending.

A READING NOTEBOOK (idea adapted from "The Well-Trained Mind")
Everyday a child should read or be read to.
Have the child only narrate about 2-3 times a week what is read or heard.
It helps to keep a record of books that a child read or listened to along with any narrations that were done.
These may be illustrated and include the illustrations in a notebook
Try to give simplified versions of the literature he’ll be reading later

In addition to reading time spent on assembling a reading notebook: children should have a set time everyday for free reading (let child freely select from a larger selection your’ve chosen) Begin with 30 min and work up to an hour.
Reading that is studied ought to be more challenging, but free reading should be easy reading.
Memory Work may also be included. Recite before an audience memorized slokas and poems so on and file them away in the notebook afterward. These may also be illustrated.

A THREE FOLD READING PROGRAM:
Listening and occasional oral narration
Reading instruction and discussion
Independent silent reading, for extra practice and personal interests

HELPFUL BOOKS FOR HOW TO TEACH
The Art of Teaching by Bhurijana prabhu
All about teaching but with a Krishna conscious perspective

Handbook for Creative Teaching by David L. Martin (Rod & Staff Publishers)
This book is stuffed with information on teaching every subject. Especially useful is the methods of preparation, presenting and evaluating lessons.

You Can Teach Your Child Successfully by Dr. Ruth Beechick
Many "How to's" packed in this book such as how to create a speed reading drill.

QUOTES ABOUT READING (most of the sources were lost)
"It is cheap, it consoles, it distracts, it excites, it gives you knowledge of the world and experience of a wide kind.”

"The beauty of the written word is that it can be held close to the heart and read over and over again."

“Children become readers when their parents read to them. It really is as simple as that.” --US Dept of Education
 

“Those who love to read are distinctly different from others. They are interested in a broader range of subjects. They are likely to find new subjects easy to tackles and master because they acquire a framework for future learning through their personal reading. Avid readers also learn the nuances of language. Every avid reader can immediately spot anon-avid reader early in a conversation. Non-avid readers do not acquire the sense of nuance for language that readers have. They also don’t sift though fact and are often unable to see beyond the surface of any writing. Avid readers are open to new ideas and are more flexible less likely to be moved or persuaded by dogmatic statements or closed thinking. Readers become aware of the ‘complexity of reality.”

“After supper, engage in a little old fashioned reading aloud-- good for the soul, the brain, and the kids.”